Positive and negative controls in the elisa test

In ELISA testing, positive and negative controls are essential for ensuring the accuracy and reliability of results. These control samples not only validate the test procedure but also serve as reference points to interpret the outcomes. To maintain consistency, the composition of these controls—especially the negative control—should closely resemble that of the actual test sample. When working with human serum as the specimen, it is ideal to use human serum as the control material, as normal serum can generate varying background signals depending on the ELISA format used. However, due to the difficulty in obtaining large quantities of normal human serum, many foreign ELISA kits use recalcified human plasma as a base. This involves adding calcium ions to plasma, allowing fibrinogen to form a clot, which is then removed. The resulting liquid has a composition similar to serum and serves as an effective control. The negative control should contain no target analyte, such as HBsAg, and ideally should also be negative for other related markers like anti-HBs. On the other hand, the positive control typically contains a buffer solution with a protein stabilizer and a known quantity of the target substance. The concentration of this substance is usually specified in the kit’s instructions and should match the sensitivity of the reagent. During testing, the absorbance values from the positive control are compared with those of the test samples, allowing for an approximate estimation of the analyte levels in the specimens. For example, if the ELISA kit detects HBsAg with a sensitivity of about 0.5 ng/ml, the positive control may contain around 10 ng/ml of HBsAg. To ensure long-term stability, preservatives and antibiotics are often included in the control solutions. Additionally, quantitative ELISA kits must include a standard curve, which requires at least four to five different concentrations spanning the detectable range. These standards are usually prepared in a buffer containing protein protectants and preservatives to maintain their integrity over time. Properly designed controls and standards are crucial for accurate and reproducible ELISA results, making them indispensable components of any reliable immunoassay.

Oil Painting Brushes

There are so many many brushes:washes/glazes, rounds, flats, filberts and liners and more. Choosing the right type for the technique is important. Let`s look at the different types. Flat Brushes-Flats are brushes with a straight chisel edge and square shaped filaments. These can be known as shades if they`re in smaller sizes and washes/glazes if in bigger sizes. Large areas are painted with a wash/glaze brush whereas smaller flats are used for small areas of painting

Round brushes-Round brushes have a large diameter of the ferrule, more so than a liner, which can be used for applying thick to thin lines, filling in odd shaped areas, painting details and work great for lettering. Liners don`t hold as much paint as a round, however, they are super great for creating lines or curves. Script liners are similar to liners but the filaments are much longer and hold more paint. A round brush tapers to a pointed tip – several types of rounds are referred to rounds, liners or script liners. Angle brushes are filaments that have been cut on an angle – these are excellent to use in small or curved areas of the painting.Filberts Brushes with oval shaped filaments are known as filberts in smaller sizes and oval wash in larger sizes. Both shapes can be used for base coating, stroke work and more. There are filbert combs, filbert wash and more.Mop Brushes-Then there are mop brushes–great for blending and smoothing out small areas. They`re also ideal for applying powdered pigments–just dust them lightly over hot or tacky wax.Specialty Brushes-Then there are all the speciality brushes on the market used for certain techniques and garner their own results–fan, deer-foot, stumbler, mops,stencil and more.

Filbert

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